The Global Moment

The Global Moment



Contributor Biographies:


Raimi Gbadamosi is an artist, writer and curator. Doctorate in Fine Art from the Slade School of Fine Art and a member of Interdisciplinary Research Group ‘Afroeuropeans’ of University of Leon, Spain, ‘Black Body’ group, Goldsmiths College, London. Recent shows include: Tentativa De Agotar Un Lugar Africano, CASM, Barcelona 2008, Human Cargo at Plymouth Museum & Art Gallery, Plymouth 2007, Port City, Arnolfini, Bristol 2007, and Exchange Mechanism, Belfast 2010. He has written for publications including Third Text and Wasafiri and contributed to books. Recent essays include: The Not-So New Europeans, 2008, The Delight of Giant-Slayers: Or Can Artists Commit Their Lives to Paper? 2008; Who Owns the Space of Display? 2010; What Is This Afroeuropean? 2010; Scuffles in the Cathedral: Of Principalities and Powers, 2010; Dancing In A Space Provided, Or Running Amok, 2010.



Sonya Dyer is an artist and writer and is currently undertaking the Whitney Independent Study Program in New York. Sonya’s practice incorporates writing, moving image, installation, performative actions and painting as well as curatorial projects and interventions into public discourses.  Her most recent exhibition was ‘The Paul Robeson Research Station’ at Site Gallery, Sheffield. Sonya has written for publications including a-n, Art Review, The Guardian blog and Time Out. She has organised and curated projects including Artists and Curators Talking (a-n / Axis), Temporary Agency (Chelsea Space) and Current Thinking (Tate Modern).
Sonya is also the author of Boxed In: How Cultural Diversity Policies Constrict Black Artists ( jointly published by a-n the artists information company / Manifesto Club) and other texts critiquing arts policy and its effect on artistic production.



Paul Goodwin Paul is a theorist, curator and urban researcher. He is Associate Research Fellow at the Centre for Urban and Community Research, Goldsmiths College and Curator of Cross Cultural Programme’s at Tate Britain. His current research work engages questions of post-colonial migration and forms of cross cultural creativity, globalisation and the production of alternative urban spaces. In 2007 he curated Peckham Rising at the Sassoon Gallery in South London; an exhibition of urban photography, sound and critical writing that explored media representations and spatial practices in an inner city neighbourhood. In 2009 he completed a collaborative project with artist Monica de Miranda (an exhibition, film programme and a book) called Underconstruction, that deployed contemporary art strategies – photography, installation, socially engaged collaborations – and urban theory to map the complex relationship between the shanty towns and the city centre in Lisbon, Portugal. Selections of this work can be seen at

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