sarai - credit sarah hickson 2

Sarai

Written and Directed : Paul Anthony Morris
Time: 7.45pm
Until :7 November  2015
Running Time: 90 mins
Venue: Arcola Theatre, London
Dalston, East London
Box office: 020 7503 1646
 
Photo Credit: Sarah Hickson
https://www.arcolatheatre.com/production/arcola/sarai
One woman’s epic journey to found a nation

This is a fascinating exploration of a body’s ability to represent the inner turmoil of a soul. It is a one hander, played by Karlina Grace-Paseda. Her physicality is astonishing: she gives birth then informs us it is a phantom pregnancy, later squeezes herself to express her curse, then to end the act presses hard the floor to emphasise her martyrdom. There is no mistaking the sadness of her tragedy. Sarai is the infertile wife of Abraham. Her phantom pregnancies denote her stressful response to a prophecy she heard: that she would found a nation. “Remove yourself from your father’s land to a land I will show you and I will make you a great nation”, she declaims incessantly, as if sceptical of its potency, as we would of a fortuneteller’s word.

Circumstances lead her into exile. And here we see the stretch and flexibility of Morris in using mime, dance, and middle eastern melodies from live musicians to tell and perform the story. From the Syrian desert, a refugee camp in Egypt, the Egyptian court, to finally Canaan, the drama unfolds through a variety of roles Sarai impersonates with prowess, and often with humour. Thus the ‘Theatre of the Soul’ style of this company, as stated in the programme, ran throughout the performance.

Rebecca Patenton studied Linguistics at the Sorbonne Nouvelle University and Education at Anglia Ruskin University and worked as a secondary school teacher for many years. She currently has a story published on Amazon http://www.amazon.co.uk/Long-Daylong-Rebecca-Patenon-ebook/dp/B00IOZDQWM/ref=sr_1_1?s=books&ie=UTF8&qid=1439571856&sr=1-1&keywords=the+long+daylong

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